Press

New Wave Reprise

For Immediate Release March 7, 2019

Esprit Orchestra Relaunches Popular New Wave Young Composers Festival

Spring is a time for change, rebirth, and new creations. This April, Esprit will bring back the spirit of the popular New Wave Young Composers Festival that once ran on an annual basis. New Wave Reprise, a concert of World Premieres, will take place at Trinity St. Paul’s Centre on Friday April 5, 2019 at 7pm. The concert will feature five newly commissioned works by emerging composers Eugene Astapov, Bekah Simms, Alison Yun-Fei Jiang, Quinn Jacobs, and Christina Volpini. Launching the concert, renowned Canadian composer, John Rea will deliver an engaging keynote address entitled Dialogue of the Wind and Sea: Composers Talking to Composers. Following the performance, Esprit will host a post-concert reception to give attendees a chance to mingle and network with the featured artists over beer and light fare.

Eugene Astapov’s work, Emblem, is based on the composer’s recently completed doctoral research on the origin and aesthetics of Russian music. Ancient Russian chants are intricately woven into the piece, influenced by pagan origins and church psalmody. Certain elements of the work are commonly found in the music of Russian composers. Astapov views this work as a conscious exploration of his own cultural roots.

Juno nominated composer Bekah Simms’ Foreverdark puts a new spin on the traditional cello concerto with influences from the heavy metal genre. The work uses short melodic, harmonic, and rhythmic quotations from a variety of heavy metal sources, referencing bands such as Bathory (Viking metal), Strapping Young Lad, and System of a Down. Ahmal Arulanandam, one part of the brilliant cello duo VC2, strides into Simms’ work as soloist on an amplified cello. Arulanandam’s sound is meant to be somewhat divorced and expanded from his location on stage.

Alison Yun-Fei Jiang appears for the second time this season. Her 2018 piece, River Memory was performed on Esprit’s January concert program at Koerner Hall, and her new work Temporal is her first commissioned work with Esprit. Of her new work, the composer says: “By cycling and recapitulating melodies and sounds, Temporal evokes a fragile dream-like state, where the perception of time, events and memories is fragmented.” The work brings to mind imagery of the quiet, fragile serenity of a Canadian winter night, with the glow of moonlight on the snow.

Music About Music, by Quinn Jacobs, is an exploration of expression and meaning in music, setting the chamber orchestra against pre-recorded narration. The piece uniquely circumvents the traditional relationship between creator and spectators, in which performers are required to interpret and convey the composer’s every intention. Meaning emerges through abstract rhythmic patterns and shifting textures – at times dancing around the text, at times spinning a story of its own.
The title of Christina Volpini’s new work, as within, so without, is drawn from a hermetic principle of correspondence: “As above, so below; as below, so above. As within, so without; as without, so within.” The work explores the idea of the macro existing within a microcosm, with the intention of creating a vibrant, shimmering texture.

Esprit would like to thank the Ontario Arts Council for their support in commissioning these talented young composers for our New Wave showcase program. 

 

ESPRIT ORCHESTRA 2018/19 CONCERT SEASON

Esprit Orchestra Presents: New Wave Reprise
Friday April 5, 2019 | 7:00pm | Trinity St. Paul’s Centre

Keynote address by renowned composer John Rea
Dialogue of the Wind and Sea: Composers Talking to Composers

Alex Pauk – conductor
Eugene Astapov – guest conductor
Alison Yun-Fei Jiang – guest conductor
Amahl Arulanandam – cello

Reception to follow the performance.

*World Premiere commissioned by Esprit Orchestra
**World Premiere commissioned by Esprit Orchestra with generous support from Ontario Arts Council

 

Concert Sponsor:

 

Reception Sponsor:

 
 

TRINITY ST. PAUL’S CENTRE

427 Bloor Street West, Toronto
Individual tickets: $15
Please call (416) 815-7887 or visit espritorchestra.com

 

Season Sponsor:

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, TELUS, SOCAN Foundation, The Koerner Foundation, The Mary-Margaret Webb Foundation, The J.P. Bickell Foundation, Timothy & Frances Price, and Judy & Wilmot Matthews for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887  

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Grand Slam!

For Immediate Release February 26, 2019

Esprit Orchestra’s Season Finale Concert Hits It Out of the Park with Grand Slam!

The final Koerner Hall concert of Esprit Orchestra’s 2018-2019 is sure to excite the audience with a World Premiere, a passionate cello concerto, and a thrilling percussion concerto. The program includes music by exceptional composers Unsuk Chin, Maki Ishii, and Christopher Thornborrow, as well as extraordinary soloists cellist Joseph Johnson and percussionist Ryan Scott. The concert will take place on March 24, 2019 at 8:00 pm at Koerner Hall, and will be preceded by an engaging pre-concert talk hosted by Alexina Louie.

The orchestra will perform the World Premiere of Toronto-based composer Christopher Thornborrow’s new work, Trompe l’œil. Thornborrow, an emerging composer and educator, just premiered a new opera with Tapestry Opera called Hook Up in February. The World Premiere of his commissioned work with Esprit is much anticipated – marking an exciting winter season for the young composer. Trompe l’œil pays homage to Carel Fabritius’s painting, The Goldfinch. Birdsong features prominently, with tiny, detailed melodies in the woodwinds; the melodies are stacked vertically to create thick textures which emulate the bold brush strokes of Fabritius’s painting technique. The final movements reflect on the fragility of life and of art.

In keeping with Esprit’s commitment to fostering lasting relationships with composers’ work through repeat performances, Korean composer Unsuk Chin is featured for the second time this season. Principal cellist of the Toronto Symphony Orchestra, Joseph Johnson returns to the Esprit stage as guest artist to perform Chin’s Cello Concerto. This work explores the cello’s lyric qualities, with an alluring sense of fluttering and floating, casting a spell with dream-like sequences only to shock them with abrupt impulses of musical lightening and frenetic drive.

After the hit performance of Maki Ishii’s Mono-Prism by taiko drummers during last season’s finale concert, Ishii’s music will reappear with another impressive percussion performance by none other than Esprit’s principal percussionist, Ryan Scott. Ishii’s powerful Afro Concerto blends cultural inflections into a “magical musical world invoked by incessant repetition”. This high energy work is a spectacular musical blast to end the season.

While Grand Slam! is Esprit’s final concert in Koerner Hall this season, Esprit will be relaunching its New Wave Young Composers Festival with a concert of World Premieres on April 5, 2019 at 7pm. New Wave Reprise features five newly commissioned works by emerging composers Eugene Astapov, Bekah Simms, Alison Yun-Fei Jiang, Quinn Jacobs, and Christina Volpini. The concert, taking place at Trinity St. Paul’s Centre, will be preceded by an engaging keynote speech delivered by renowned Canadian composer John Rea. A post-concert reception will give all attendees a chance to mingle with the featured artists over beer and light fare.

 

ESPRIT ORCHESTRA 2018/19 CONCERT SEASON

Esprit Orchestra Presents: Grand Slam!

Sunday March 24, 2019 | 8:00pm Concert | 7:15pm Pre-Concert Chat

Pre-concert chat hosted by composer, Alexina Louie

Alex Pauk – conductor
Ryan Scott—percussion
Joseph Johnson—cello

Christopher Thornborrow (Canada), Trompe L'œil (2019)**
Maki Ishii (Japan), Afro-Concerto (1982)
Unsuk Chin (Korea), Cello Concerto (2006; rev. 2013)*

*Canadian Premiere
**World Premiere commissioned by Esprit Orchestra with generous support from Ontario Arts Council

Concert Sponsors: Judy and Wilmot Matthews 

Program Sponsor:

 

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $45; Under 30 $27; Student $25
Please call (416) 408 0208 or visit espritorchestra.com

Season Sponsor:

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, TELUS, SOCAN Foundation, The Koerner Foundation, The Mary-Margaret Webb Foundation, The J.P. Bickell Foundation, Timothy & Frances Price, and Judy & Wilmot Matthews for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Constellations

For Immediate Release – December 20, 2018

Esprit Orchestra a Bridge Between the Royal Conservatory’s 21C Festivaland the University of Toronto’s New Music Festival

 Esprit Orchestra’s 2018-2019 concert season continues in the new year with a concert titled Constellations, which simultaneously serves as the finale for the Royal Conservatory of Music’s 21C Festival, and the launch of the University of Toronto’s New Music Festival. Founding Music Director & Conductor, Alex Pauk will lead the orchestra in a program of music by Toshio Hosokawa, Alison Yun-Fei Jiang, and Claude Vivier, as well as the World Premiere of Christopher Goddard’s work, Les tringles des sistres tintaient. The concert takes place at 8:00 pm in Koerner Hall on Sunday January 20, 2019.

Returning to the Esprit stage is Claude Vivier’s Orion. This work, in six sections, takes listeners on a journey to the stars with Vivier’s reverent cosmic soundscape. The main melody in the piece is heard most prominently from the trumpet. Vivier says of the melody: “[it] is cast upon itself without being able (wanting) to smash the wall of solitude.” The piece is a vivid expression of Vivier’s musical state of ‘eternal homecoming’.

Emerging composers Christopher Goddard and Alison Yun-Fei Jiang are both featured on the Constellations program. Goddard returns to the Esprit stage for the second year in a row with the World Premiere of his commissioned work, Les tringles des sistres tintaient, an energetic re-imagining of the spellbinding gypsy song that opens act two of Bizet’s Carmen. Jiang’s River Memory is inspired by Niagara Falls at the very moment the Maid of the Mist arrives at the foot of the thunderous Horseshoe Falls. As the composer states in her note, “At that moment, everything as perceived by the human senses becomes solemn, peaceful, and pure. It reminds me of a kind of transformation humans go through in time—flowing down a river of memory; of past, present, and future.” A new commission by Jiang will also appear on the New Wave Reprise program, the final concert in Esprit’s 2018-2019 season on April 5, 2019.

Finally, Toshio Hosokawa’s Concerto for Saxophone and Orchestra will feature guest artist, saxophonist Wallace Halladay. In this work (with stereophonic arrangement of the orchestra onstage) the soloist symbolizes man and the orchestra the universe – inner and outer nature. The soloist interacts with the orchestra just as a person moves in nature, receiving vibrations from nature and reciprocating them. Hosokawa is the Roger D. Moore Distinguished Visitor for Composition for the University of Toronto’s New Music Festival.

 

ESPRIT ORCHESTRA 2018/19 CONCERT SEASON 

Esprit Orchestra Presents: Constellations

Sunday January 20, 2019 | 8:00pm Concert | 7:15pm Pre-Concert Chat
Pre-concert chat moderated by composer Alexina Louie

Alex Pauk – conductor
Wallace Halladay—saxophone
Toshio Hosokawa –visiting guest composer

Claude Vivier (Canada), Orion (1979)
Toshio Hosokawa (Japan), Concerto for Saxophone and Orchestra (1999)*
Alison Yun-Fei Jiang (Canada), River Memory (2018)
Christopher Goddard (Canada), Les tringles des sistres tintaient (2019)**

*Canadian Premiere
**World Premiere commissioned with generous support from the Koerner Foundation

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $45; Under 30 $27; Student $25
Please call (416) 408 0208 or visit espritorchestra.com

Season Sponsor:

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, TELUS, SOCAN Foundation, The Koerner Foundation, The Mary-Margaret Webb Foundation, The J.P. Bickell Foundation, Timothy & Frances Price, and Judy & Wilmot Matthews for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

North/White

For Immediate Release October 31, 2018

Snowmobile at the Symphony

 On Wednesday November 28, 2018, Esprit Orchestra presents North/White, the second concert of the 2018-2019 season, at 8:00pm in Koerner Hall. The program features two of Canada’s most prestigious composers, Alexina Louie and R. Murray Schafer, both of whom wrote pieces which explore the cultures, myths, and magical environments of Canada’s Arctic. Icelandic composer, Anna Thorvaldsdottir’s piece Dreaming also appears on the program.

The title piece of the concert, R. Murray Schafer’s North/White, includes an unconventional instrument in the orchestra – a snowmobile! Arctic Cat kindly donated the use of two snowmobiles for use during this concert, one of which will be displayed in the lobby. The work depicts Arctic beauty, while also portraying the environmental destruction of the Canadian North by pipelines, highways, and machinery. Schafer writes, “I decided to place a snowmobile in the percussion section as a symbol of noise and pollution generated by technology”. The audience will be invited to play recorded snowmobile sounds on their smartphones during the piece, as cued by the conductor. This type of audience participation was a hit during Esprit’s 2017-2018 season. Schafer’s work also explores the mystic power of the North and its link to Canadian identity; the idea of the North is a Canadian myth, and the invasion of technology and industry is disrupting our relationship with nature. Like white light, composed of all visible frequencies, Schafer’s provocative work combines all the producible notes of the symphony to communicate the spaciousness, the power, and the austerity of Canada’s Arctic and the importance of preserving it.

Accompanying Schafer’s work on the program is composer Alexina Louie’s own musical reflection on Canada’s Arctic. Louie’s Take the Dog Sled is performed with Inuit throat singers, Evie Mark and Akinisie Sivuarapik as guest artists. This work captures the joy, tenderness and energy of life in the North, and touches upon the humour of the Inuit and the mystical qualities of the surrounding lands. Unconventional instruments are featured in Take the Dog Sled too, such as a marimba constructed from varying sizes of glass bottles. A pair of hard, resonant stones begin the piece in the percussion section. The composer opted for these in order to ensure the piece could be performed in remote areas without the barrier of flying in cumbersome or delicate instruments on small propeller planes.

Finally, keeping with Northern ties, Icelandic composer Anna Thorvaldsdottir’s Dreaming is a rich, meditative piece of music; a mysterious shifting landscape, bringing time to a halt – like a dream. As an expression of a state of mind, it is nonetheless full of sensuality and draws listeners into an immersive sonic environment.

 

ESPRIT ORCHESTRA 2018/19 CONCERT SEASON

Pre-Concert Chat Moderated by composer Alexina Louie

Esprit Orchestra Presents: North/White

Wednesday November 28, 2018 | 8:00pm Concert | 7:15pm Pre-Concert Chat

Alex Pauk – conductor
Evie Mark and Akinisie Sivuarapik – Inuit throat singers

Anna Thorvaldsdottir (Iceland), Dreaming (2008)*
Alexina Louie (Canada), Take the Dog Sled (2008)
R. Murray Schafer (Canada), North/White (1973)

*Canadian Premiere

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $45; Under 30 $27; Student $25
Please call (416) 408 0208 or visit
espritorchestra.com

Season Sponsor:

 

Use of snowmobiles generously donated by:

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, TELUS, SOCAN Foundation, The Koerner Foundation, The Mary-Margaret Webb Foundation, The J.P. Bickell Foundation, Timothy & Frances Price, and Judy & Wilmot Matthews for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

For Orbiting Spheres

For Immediate Release – September 26, 2018

Esprit Orchestra’s 2018-19 Season Opens with a Trip to the Stars

 On October 24, 2018, Founding Music Director & Conductor, Alex Pauk will lead the orchestra and audience on an intergalactic journey, with the opening concert of Esprit Orchestra’s 2018-19 season, For Orbiting Spheres. The program features three talented composers from abroad, whose music will transfix listeners, contemplating our place in the cosmos. For Orbiting Spheres will take place at 8pm in Koerner Hall, preceded by an engaging pre-concert chat moderated by Canadian composer Alexina Louie.

Sinfonia (for Orbiting Spheres) by American composer, Missy Mazzoli, is music cast “in the shape of a solar system”, weaving and coiling in pulsing loops that twist around each other within a larger orbit. The title plays on the double-meaning for the word ‘sinfonia’, which refers to the hurdy-gurdy in Italian. The pitches are drawn out, sustained and sliding, with no hints of rhythmic or metric momentum until nearly halfway in. In the composer’s note about the piece, she says, “it’s a piece that churns and roils, that inches closer to the listener only to leap away at breakneck speed”.

Keeping with the celestial theme, Unsuk Chin’s Chorós Chordón is a piece inspired by the composer’s reflections on natural phenomena and our physical relationship with the cosmos. The title translates to “Dance of the Strings”, though the music takes shape beyond the string section, rippling throughout the full orchestra. Chorós Chordón is inspired by Chin’s fascination with physical and biological processes, a common source of inspiration in the composer’s work. The celestial hints woven into the piece tie together with another of Chin’s recent works, Le Chant des Enfants des Étoiles. Chorós Chordón is dedicated to Simon Rattle, former chief conductor of the Berlin Philharmonic Orchestra, who has conducted several of Chin’s works in the past.

Sinfonia by Dutch composer Tristan Keuris is simply a work of utmost charm and pleasurable musical invention. The piece, for large orchestra, has two movements without a break. The first movement is made up of many fragments in various tempi, whereas the second forms one whole.

Lastly, Ives’ The Unanswered Question remains one of the greatest ever pieces expressing awe and wonder about the cosmos.

 

ESPRIT ORCHESTRA 2018/19 CONCERT SEASON

Pre-Concert Chat Moderated by composer Alexina Louie

Esprit Orchestra Presents: For Orbiting Spheres

Wednesday October 24, 2018 | 8:00pm Concert | 7:15pm Pre-Concert Chat

Alex Pauk – conductor

Missy Mazzoli (U.S.A.), Sinfonia (for Orbiting Spheres)*
Unsuk Chin (Korea), Chorós Chordón (2017)*
Tristan Keuris (The Netherlands), Sinfonia (1974)
Charles Ives (U.S.A.), The Unanswered Question (1908)

*Canadian Premiere

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $45; Under 30 $27; Student $25
Please call (416) 408 0208 or visit
espritorchestra.com

Season Sponsor:

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Mary-Margaret Webb Foundation, The J.P. Bickell Foundation, Timothy & Frances Price, and Judy & Wilmot Matthews for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

2018-2019 Season Announcement

For Immediate Release September 24

Esprit Orchestra 2018-19 Season AnnouncementHitting It Out of the Park

Esprit Orchestra’s 2018-2019 concert season will begin with an intergalactic journey, and end with a grand slam. Founding Music Director & Conductor, Alex Pauk will lead the orchestra and audience through a program of music by exceptional composers such as Unsuk Chin, R. Murray Schafer, Maki Ishii, Alexina Louie, among others. The season also includes eight World Premieres, all by emerging composers. The orchestra will be joined by extraordinary soloists throughout the season: cellist Joseph Johnson, Inuit throat singers Evie Mark and Akinisie Sivuarapik, saxophonist Wallace Halladay, and percussionist Ryan Scott. All regular season concerts take place at 8:00 pm at Koerner Hall, and are preceded by engaging pre-concert talks with the composers and musicians. Concert dates are: October 24, 2018; November 28, 2018; January 20, 2019; March 24, 2019. In addition, Esprit will be relaunching its New Wave Young Composers Festival this season; the New Wave Reprise concert will take place on April 5, 2019, and will feature six World Premieres by emerging Canadian composers.

Esprit’s opening concert, For Orbiting Spheres on Wednesday October 24, 2018, flings the audience into the cosmos. Missy Mazzoli’s Sinfonia (for Orbiting Spheres), cast “in the shape of a solar system”, weaves and coils itself in pulsing loops that twist around each other within a larger orbit. It is a piece of music “that churns and roils, that inches closer to the listener only to leap away at breakneck speed”. Keeping with the celestial theme, Unsuk Chin’s Chorós Chordón is a piece inspired by the composer’s reflections on natural phenomena and our physical relationship with the cosmos. The title translates to “Dance of the Strings”, though the music takes shape beyond the string section, rippling throughout the full orchestra. Lastly, Sinfonia by Dutch composer Tristan Keuris is simply a work of utmost charm and pleasurable musical invention.

The November concert will include an unconventional instrument in the orchestra – a snowmobile! On Wednesday November 28, 2019, North/White will feature R. Murray Schafer’s piece of the same title, which, while depicting Arctic beauty, also portrays the environmental destruction of the Canadian North by pipelines, highways, and machinery. Schafer writes, “I decided to place a snowmobile in the percussion section as a symbol of noise and pollution generated by technology”. Accompanying Schafer’s work on the program is composer Alexina Louie’s own musical reflection on Canada’s Arctic. In her piece, Take the Dog Sled, performed by Inuit throat singers, Evie Mark and Akinisie Sivuarapik, Louie captures the joy, tenderness and energy of life in the North. The piece touches upon the humour of the Inuit and the mystical qualities of the surrounding lands. Unconventional instruments are featured in Take the Dog Sled too, such as a marimba constructed from varying sizes of glass bottles. A pair of hard, resonant stones begin the piece in the percussion section. The composer opted for these in order to ensure the piece could be performed in remote areas without the barrier of flying in cumbersome or delicate instruments on small propeller planes. Finally, Icelandic composer Anna Thorvaldsdottir’s Dreaming is a rich, meditative piece of music; a mysterious shifting landscape, bringing time to a halt – like a dream.

Constellations on January 20, 2019, is both the finale of the Royal Conservatory’s 21C Music Festival, and the opening concert in the University of Toronto New Music Festival. The program features Toshio Hosokawa’s Concerto for Saxophone and Orchestra, to be performed by guest artist, saxophonist Wallace Halladay. Hosokawa is the Roger D. Moore Distinguished Visitor for Composition for the university’s festival. Canadian emerging composer Christopher Goddard returns to the Esprit stage for the second year in a row with the World Premiere of his commissioned work, Les tringles des sistres tintaient, an energetic re-imagining of a spellbinding gypsy song that opens act two of Bizet’s Carmen. Claude Vivier’s Orion takes listeners on a journey to the stars with his reverent cosmic soundscape. The piece is a vivid expression of Vivier’s musical state of ‘eternal homecoming’. Also on the Constellations program is a recent piece by emerging composer Alison Yun-Fei Jiang. A new commission by Jiang will also appear on the New Wave Reprise concert program, detailed below.

Grand Slam!, Esprit’s 2018-2019 season finale will surely “knock it out of the park” on March 24, 2019. The orchestra will perform the World Premiere of Toronto-based composer Christopher Thornborrow’s new work. In keeping with Esprit’s commitment to fostering lasting relationships with composers’ work through repeat performances, Unsuk Chin is featured for the second time this season. Principal cellist of the Toronto Symphony Orchestra, Joseph Johnson returns to the Esprit stage as guest artist to perform Chin’s Cello Concerto. This work explores the cello’s lyric qualities; it will cast a spell over listeners with its floating, dream-like sequences, flickering impulses of musical lightening, frenetic drive and long-spun melodies. Finally, after the hit performance of Maki Ishii’s Mono-Prism by taiko drummers during last season’s finale concert, Ishii’s music will reappear with another impressive percussion performance by none other than Esprit’s principal percussionist, Ryan Scott. Ishii’s powerful Afro Concerto blends cultural inflections and is a spectacular musical blast to end the season.

In addition to the regular four concert series, Esprit is pleased to announce the relaunch of our popular New Wave Festival, after a hiatus. Originally launched in 2002, New Wave is a lively forum and festival for emerging composers and performers to exchange ideas, meet the public, participate in seminars, and have new work premiered as a launchpad for their careers. On April 5, 2019 at Trinity St. Paul’s Centre, the New Wave Reprise concert will feature six World Premieres by some of Canada’s talented emerging composers: Eugene Astapov, Maria Atallah, Quinn Jacobs, Bekah Simms, Christina Volpini, and Alison Yun-Fei Jiang. Simms, who has been commissioned to write a cello concerto, will have her solo part performed by cellist Amahl Arulanandam. Renowned Canadian composer John Rea will appear as keynote speaker, offering his insight into the changing landscape of contemporary classical music. All New Wave tickets will go through the Esprit office; pricing and further details to come. All regular season subscribers receive free admission to New Wave Reprise. 

 

ESPRIT ORCHESTRA 2018/19 CONCERT SEASON

All Pre-Concert Chats Moderated by composer Alexina Louie

Wednesday October 24, 2018
Esprit Orchestra Presents: For Orbiting Spheres

Alex Pauk – conductor

Missy Mazzoli (U.S.A), Sinfonia (for Orbiting Spheres) (2016)*
Unsuk Chin (Korea), Chorós Chordón (2017)*
Tristan Keuris (The Netherlands), Sinfonia (1974)

Wednesday November 28, 2018
Esprit Orchestra Presents: North/White

Alex Pauk – conductor
Evie Mark and Akinisie Sivuarapik
Inuit throat singers

Anna Thorvaldsdottir (Iceland), Dreaming (2008)*
Alexina Louie (Canada), Take the Dog Sled (2008)
R. Murray Schafer (Canada), North/White (1973)

Sunday January 20, 2019
Esprit Orchestra Presents: Constellations

Alex Pauk – conductor
Wallace Halladay – saxophone
Toshio Hosokawa – visiting guest composer

Toshio Hosokawa (Japan), Concerto for Saxophone and Orchestra (1999)*
Alison Yun-Fei Jiang (Canada), River Memory (2018)
Claude Vivier (Canada), Orion (1979)
Christopher Goddard (Canada), Les tringles des sistres tintaient (2019)**

Sunday March 24, 2019
Esprit Orchestra Presents: Grand Slam!

Alex Pauk – conductor
Ryan Scott – percussion
Joseph Johnson – cello

Christopher Thornborrow (Canada), Trompe L'œil (2019)**
Maki Ishii (Japan), Afro Concerto (1982)
Unsuk Chin (Korea), Cello Concerto (2006;rev.2013)*

Friday April 5, 2019
Esprit Orchestra Presents: New Wave Reprise

John Rea – Keynote Speaker
Eugene Astapov – Guest Conductor
Alison Yun-Fei Jiang – Guest Conductor

Amahl Arulanandam – cello soloist

Eugene Astapov (Canada), New Work (2019)**
Maria Atallah (Canada), New Work (2019)**
Quinn Jacobs (Canada), New Work (2019)**
Bekah Simms (Canada), New Work (2019)**
Christina Volpini (Canada), New Work (2019)**
Alison Yun-Fei Jiang (Canada), New Work (2019)**

*Canadian Premiere
**World Premiere

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $45; Under 30 $27; Student $25
Please call (416) 408 0208 or visit espritorchestra.com

Season Sponsor:

 

 Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, TELUS, SOCAN Foundation, The Koerner Foundation, The Mary-Margaret Webb Foundation, The J.P. Bickell Foundation, Timothy & Frances Price, and Judy & Wilmot Matthews for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Taiko Plus!

For Immediate Release: March 20, 2018

TAIKO PLUS! Esprit Orchestra’s 35th Anniversary Season Finale

April 15, 2018 will mark the finale of Esprit Orchestra’s 35th Anniversary Season with Taiko Plus! in Koerner Hall at 8:00pm. With two World Premieres, and two Canadian Premieres of works by leading Asian composers, the 2017/18 season finale strongly reflects the dynamic artistic vision that has always been at the core of Esprit’s programming. Founding Music Director & Conductor, Alex Pauk and the orchestra will be joined by outstanding guest soloists: soprano Shannon Mercer and the Japanese taiko drumming ensemble, Nagata Shachu. The concert will be preceded at 7:15pm by an engaging pre-concert chat with the composers and a scientist from the CERN Large Hadron Collider.

The program includes Maki Ishii’s spectacular, electrifying Mono-Prism, combining Toronto’s Japanese taiko drumming ensemble, Nagata Shachu with Esprit. The title, Mono-Prism, refers to the intermingling of monochromatic sounds from the taiko drums and the prismatic tonal quality of the Western orchestra. The nearly inaudible sounds produced by the drums at the outset of Mono-Prism are intended to represent a challenge to the traditions of East Asian drumming. Western sound blends with the palpitations of nature to create a pulsing, energetic soundscape.

In keeping with the Asian threads running through the season, Esprit will give the Canadian premiere of Chinese composer Fuhong Shi’s Concentric Circles. This work is scored for large orchestra, and draws inspiration from I-Ching, an ancient Chinese treatise on divination and philosophy. The work’s careful balance between silence and sound represents the aesthetics of Chinese calligraphy.

World Premieres of two new works by Canadian composers are also on this program. Chris Paul Harman’s work returns to the Esprit stage for the second season in a row with the premiere of his new piece …with silver bells and cockle shells… for soprano Shannon Mercer and orchestra. The work is infused with the delicacy and wit of nursery rhymes.

Scott Wilson’s newly commissioned multi-media work, Dark Matter, will transform scientific data from the CERN Large Hadron Collider – the world’s largest particle accelerator – into sonic representations and video projections. The audience will be immersed in evocative visualizations derived from the violent yet beautiful patterns of particle collisions, and electroacoustic orchestral interpretations of real-time data.

 

35th ANNIVERSARY
ESPRIT ORCHESTRA 2017/18 CONCERT SEASON

Sunday April 15, 2018 | Esprit Orchestra Presents: Taiko Plus!

Pre-Concert Chats Moderated by composer Alexina Louie

Alex Pauk – conductor
Shannon Mercer – soprano
Nagata Shachu – Japanese taiko drumming ensemble

Chris Paul Harman (Canada), ...with silver bells and cockle shells... (2018)**
Maki Ishii (Japan), Mono-Prism (1976)*
Fuhong Shi (China), Concentric Circles (2009)*
Scott Wilson (Canada), Dark Matter (2018)**

*Canadian Premiere
**World Premiere commissioned with generous support from the Koerner Foundation

Concert Sponsors:
Judy and Wilmot Matthews

Guest Artist Sponsors:

 

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario 150, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Plug In

For Immediate Release January 11, 2018 – Toronto, ON

PLUG IN

Esprit Orchestra’s 35th Anniversary Season Continues with ‘Phone-Friendly’ Concert

Esprit Orchestra’s 35th Anniversary Season continues in 2018 with Plug In on February 11th at 8:00pm in Koerner Hall. This exciting, ‘phone friendly’ concert will allow the audience to experience the technological progression of the telephone through music, with an interactive component using their own smartphones. The program features music by composers José Evangelisa, Eugene Astapov, and Matthew Ricketts, as well as Canadian Premieres of works by leading Asian composers Tan Dun and Unsuk Chin. Audiences can expect an engaging concert of wide-ranging musical interest.

Hear My Voice by Eugene Astapov, was commissioned and premiered by Esprit in spring 2017, as part of Creative Sparks, Esprit’s annual mentoring/education program. Astapov, who will be conducting his piece, was a participant of Esprit’s Creative Sparks Mentoring program as a young high school student. He went on to study composition at the Julliard and Eastman schools of music. Now a professional composer based in Toronto, Astapov has come full circle as a Creative Sparks mentor to students at his alma mater, the Claude Watson Arts Program at Earl Haig Secondary School. Hear My Voice has embedded in its musical texture, an early voice recording of Alexander Graham Bell, shortly after his invention of the telephone out of Brantford, Ontario in 1876.

From the historic origin of the telephone to the multi-purpose capabilities of the modern-day smartphone, Chinese composer Tan Dun’s Passacaglia: Secret of Wind and Birds will include audience participation in creating a ‘poetic forest of birds’ via downloadable sounds on their phones. The piece reflects on the age-old notion of using music to communicate with and understand the secrets of nature – fittingly, using communication devices as instruments. The piece begins with the recorded sounds of ancient Chinese instruments such as the guzheng, suona, erhu, pipa, dizi and sheng, played back on smartphones by the audience and orchestra. The complex variations in this piece reflect the ancient myths of beauty and nature, and a dream of the future.

Korean composer Unsuk Chin’s Mannequin straddles the line between fantasy and reality, taking inspiration from E.T.A. Hoffman’s novella, The Sandman. Equally sinister and whimsical, the character of the Sandman is woven into the first two movements as a cautionary tale to misbehaving children. Movement three, Dance of the Clockwork Girl, explores the superficial mess of first love as the protagonist, Nathaniel, falls for a female automaton named Olimpia. “From the first icy touch of the celesta,” as was stated in The Times, “to the speakeasy muted trumpets and the last oily gurgle of the contrabassoon, the story grips… Chin is a gourmet, using vast resources with delicacy and discipline”.

Montreal-based José Evangelista returns to the Esprit stage for the second season in a row, with his 1994 piece Symphonie minute, a symphony in miniature form. This short four movement work contrasts with the traditional symphony, typically grandiose in both duration and instrumentation.

Guest artist, choreographer and dancer Jennifer Nichols, will perform a new dance to be premiered in conjunction with the World Premiere of Matthew Ricketts’ newly commissioned work, Lilt. Nichols is the founder of the elite ballet fitness program, The Extension Method; she is also co-Artistic Director of Hit and Run Dance Productions Inc., producing works across Canada and internationally. The dance-inspired Lilt was commissioned as a companion piece to Mannequin, Chin’s score for an imaginary dance, when Esprit’s Music Director Alex Pauk discovered that Ricketts was thinking about an imagined choreography as the background of a piece as well. Pauk took the project a step further by offering Ricketts the opportunity for a collaboration with Nichols to have an actual dance piece created for his musical premiere.

 

35th ANNIVERSARY
ESPRIT ORCHESTRA 2017/18 CONCERT SEASON

Sunday February, 11, 2018 | Esprit Orchestra Presents: Plug In

Pre-Concert chat moderated by composer Alexina Louie.

Alex Pauk – conductor

José Evangelista (Canada), Symphonie minute (1994)
Eugene Astapov (Canada), Hear My Voice (2017)***
Matthew Ricketts (Canada), Lilt (2018)**
Unsuk Chin (Korea), Mannequin (2015)*
Tan Dun (China), Passacaglia: Secret of Wind and Birds (2015)*

* Canadian Premiere
** World Premiere commissioned with generous support from Canada Council for the Arts
*** Previously commissioned and premiered by Esprit

KOERNER HALL
Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario 150, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, The Max Clarkson Family Foundation, and The Judy & Wilmot Matthews Foundation for their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Ontario Resonance

For Immediate Release – October 31, 2017

Esprit Orchestra Marks Ontario’s 150th Anniversarywith Expanded Music Education Program

Esprit has expanded its annual education and outreach programming in major ways for the 2017/18 season. The cornerstone project this season will be Ontario Resonance, a free student mentorship program to mark the 150th Anniversary of Ontario.

Running from September to November, the program focuses on the creation of new music by students with the theme of Ontario places, sounds, and cultural ties. Professional composers mentor students in six schools in the GTA region, providing them with hands-on performance and composition opportunities. The program incorporates multiple artistic disciplines, and includes students from diverse backgrounds.

“The most complete way to teach students about music,” said Alan Torok, Arts Faculty, Earl Haig S.S., “is through the creating of it.”

Each participating school will host a concert in November, during which the students’ compositions will be performed by a combination of student musicians and members of Esprit Orchestra. For a full list of participating schools and concerts, please visit our website.

In addition to their role as mentors, Ontario Resonance composers have been commissioned by Esprit to compose short pieces under the same Ontario theme as their students. These pieces will all be premiered by members of Esprit Orchestra at the Ontario Resonance Finale Concert on November 23, 2017 at Trinity St. Paul’s Centre in Jeanne Lamon Hall. The concert will be free of charge and open to the general public.

The Ontario Resonance Finale Concert features six world premieres by Toronto based composers Eugene Astapov, Mark Duggan, Adam Scime, Bekah Simms, Christopher Thornborrow, and Christina Volpini.

Eugene Astapov, who will be conducting the Finale Concert, was a participant of Esprit’s Creative Sparks Mentoring program as a high school student. He went on to study at Julliard and Eastman School of Music; now, a professional composer based in Toronto, Astapov is coming full circle as a mentor to Ontario Resonance students at his alma mater, Earl Haig Secondary School.

Esprit’s Ontario Resonance program was made possible with support from the Government of Ontario.

 

ONTARIO RESONANCE
ESPRIT ORCHESTRA 2017/18

Thursday November 23, 2017 | Ontario Resonance Finale Concert

Eugene Astapov – conductor

Rebecca Gray – soprano
Aline Morales – voice

Eugene Astapov (Canada), Ephemeral Songs (2017)*
Mark Duggan (Canada), Maracatu Imaginário (2017)*
Adam Scime (Canada), Melopoeia (2017)*
Bekah Simms (Canada), Remnant Shoreline (2017)*
Christopher Thornborrow (Canada), Ghosts of Trees (2017)*
Christina Volpini  (Canada), to reach the other shore with each step of the crossing (2017)*

* World Premiere

Trinity St. Paul’s United Church and Centre for Faith, Justice and the Arts
Jeanne Lamon Hall
427 Bloor Street West, Toronto
7:30pm Concert

General Admission is free
Please reserve your free ticket in advance at:
espritorchestra.com/outreach/ontario-resonance

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support. 

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Emergence

For Immediate Release: October 19, 2017

An Eventful November for Esprit Orchestra

On November 19, 2017, Esprit Orchestra will perform its second concert of the 2017/18 season, lead by Founding Music Director and Conductor, Alex Pauk. The concert will take place at Koerner Hall at 8:00pm.

The concert is titled after Icelandic composer Daníel Bjarnason’s piece, Emergence. This work sweeps listeners up in a kind of stream-of-consciousness that reflects Bjarnason’s wide-ranging experience working in pop and classical new music.

Fabulous violinist Véronique Mathieu returns to the Esprit stage after her spellbinding performance at the end of last season to perform as guest soloist in the Canadian premiere of Marc-André Dalbavie’s Concerto for Violin and Orchestra. The concerto, its spectacular virtuosity combined with distribution of the orchestra throughout the hall, exhibits the full power, intellect, and engaging capacity of Dalbavie’s music.

Just a stranger here myself… by Canadian composer Doug Schmidt, previously commissioned and premiered by Esprit, will have its second performance. The work delivers a panorama of musical episodes immersing listeners in sonic visions of world-wide places that have influenced Schmidt’s music. The piece provides a unique take on what it means to be ‘home’.

Ana Sokolovic’s Ringelspiel, with its brilliantly inventive orchestration, completes the November program. Full of verve, the piece is an evocative reverie from childhood, inspired by the merry-go-round.

In addition to the subscription concert series, Esprit will be expanding education and outreach programming in major ways for the 2017/18 season. The cornerstone project this season will be Ontario Resonance, a free student mentorship program to mark the 150th Anniversary of Ontario. Running from September to November, the program focuses on the creation of new music by students with the theme of Ontario places, sounds, and cultural ties. Professional composers will mentor students in six schools in the GTA region, providing them with hands-on performance and composition opportunities. The program incorporates multiple artistic disciplines, and includes students from diverse backgrounds. Each participating school will host a concert in November, during which the students’ compositions will be performed by a combination of student musicians and members of Esprit Orchestra. For a full list of school concerts, please visit our website.

Ontario Resonance Mentor Composers have been commissioned by Esprit to compose short pieces under the same Ontario theme as their students. These pieces will all be premiered at the Ontario Resonance finale concert on November 23, 2017 at Trinity St. Paul’s Church. This concert will be free of charge and open to the general public.

 

35th ANNIVERSARY SEASON
ESPRIT ORCHESTRA 2017/18

Sunday November 19, 2017 | Esprit Orchestra Presents: Emergence

Pre-Concert Chat Moderated by composer Alexina Louie.

Alex Pauk – conductor
Véronique Mathieu – violin

Daníel Bjarnason (Iceland), Emergence (2011)
Marc-André Dalbavie (France), Concerto for Violin and Orchestra (1996)*
Doug Schmidt, Just a stranger here myself... (2014)**
Ana Sokolovic, Ringelspiel (2013)

*Canadian premiere
**Previously commissioned by Esprit with funding from the Koerner Foundation

Concert Sponsor:
The Max Clarkson Family Foundation

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto
8:00pm Concert | 7:15pm Pre Concert Chat

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support. 

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Eternal Light

For Immediate Release:  September 14, 2017 – Toronto, ON

Esprit Orchestra Launches 35th Anniversary Season with All Canadian Content

October 15th, 2017 marks the launch of Esprit Orchestra’s 35th Anniversary Season. Featuring Canadian music, World Premieres, outstanding guest artists, and Canadian premieres of works by leading International composers, the 2017/18 season reflects the dynamic artistic vision that has always been at the core of Esprit’s programming. All concerts take place at 8:00 pm at Koerner Hall, and are preceded by engaging pre-concert talks with the composers and musicians. Concert dates are: October 15, November 19, February 11, April 15.

Esprit’s 35th Anniversary Season Opening Concert, an all Canadian program titled Eternal Light, takes place on October 15, 2017 with Alex Pauk, Esprit’s Founding Music Director and Conductor, leading the orchestra.

Drawing listeners into an enchanted realm of expressive intensity and exotic beauty, the concert features Colin McPhee’s Tabuh-Tabuhan, always a favourite with Esprit audiences. In this work for large orchestra, inspired by Balinese gamelan music, McPhee magically adapts gamelan motifs and rhythms to create musical forms ranging from symphonic surges with powerful rhythmic drive to atmospheric, dream-like meditations.

Eternal Light opens with Christopher Goddard’s Spacious Euphony. From its beginning, this vast musical arch builds in energy and exuberance to transform itself into a fanfare for the start of the concert as well as the celebration of Esprit’s season.

Claude Vivier’s Siddhartha, the composer’s largest and most profound orchestral work, will receive its Toronto premiere on the concert.  Based on Herman Hesse’s novel Siddhartha, this other-worldly work of awe-inspiring monumentality “inhabits a twilight realm between reality and the imagination” and encompasses every musical aspect of the mystical and spiritual explorations that consumed the now world-renowned Vivier’s life.

In addition to the subscription concert series, Esprit will be expanding education and outreach programming in major ways for the 2017/18 season. The cornerstone project this season will be Ontario Resonance, a free student mentorship program to mark the 150th Anniversary of Ontario. Running from September to November, the program focuses on the creation of new music with the theme of Ontario places, sounds, and cultural ties. Professional composers will mentor students in six schools in the GTA and Hamilton regions, providing them with hands-on performance and composition opportunities. The program incorporates multiple artistic disciplines, and includes students from diverse backgrounds. Each participating school will host a concert in November, during which the students’ compositions will be performed by a combination of student musicians and members of Esprit Orchestra.

Ontario Resonance Mentor Composers have been commissioned by Esprit to compose short pieces under the same Ontario theme as their students. These pieces will all be premiered at the Ontario Resonance finale concert on November 23, 2017 at Trinity St. Paul’s Church. This concert will be free of charge and open to the general public.

 

ESPRIT ORCHESTRA 2017/18 CONCERT SEASON

Esprit Orchestra Presents: Eternal Light
Sunday October 15, 2017

Alex Pauk – conductor

Pre-Concert Chat with guest composer Christopher Goddard, moderated by composer Alexina Louie

Christopher Goddard (Canada), Spacious Euphony (2016)
Colin McPhee (Canada), Tabuh-Tabuhan (1936)
Claude Vivier (Canada), Siddhartha (1976)

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

2017-18 Season Launch

For Immediate Release August 14, 2017 – Toronto, ON

ESPRIT ORCHESTRA'S 35th ANNIVERSARY SEASON

October 2017 will mark the beginning of Esprit Orchestra’s 35th Anniversary Season. With an emphasis on Canadian content, three World Premieres, and Canadian Premieres of works by leading international composers, the 2017/18 season strongly reflects the dynamic artistic vision that has always been at the core of Esprit’s programming. Founding Music Director & Conductor, Alex Pauk and the orchestra will be joined by outstanding guest soloists throughout the season, including Canadian violinist Véronique Mathieu, soprano Shannon Mercer, and the Japanese taiko drumming ensemble, Nagata Shachu. All concerts take place at 8:00 pm at Koerner Hall, and are preceded by engaging pre-concert talks with the composers and musicians. Concert dates are: October 15, 2017; November 19, 2017; February 11, 2018; April 15, 2017.

Esprit’s opening concert, an all-Canadian program titled Eternal Light, takes place on October 15, 2017. Drawing listeners into an enchanted realm of expressive intensity and exotic beauty, the concert features Colin McPhee’s Tabuh-Tabuhan, always a favourite with Esprit audiences. In this work for large orchestra, inspired by Balinese gamelan music, McPhee magically adapts gamelan motifs and rhythms to create musical forms ranging from symphonic surges with powerful rhythmic drive to atmospheric, dream-like meditations. Eternal Light opens with Christopher Goddard’s Spacious Euphony. From its beginning, this vast musical arch builds in energy and exuberance to transform itself into a fanfare for the start of the concert as well as the celebration of Esprit’s season. Claude Vivier’s Siddhartha, the composer’s largest and most profound orchestral work, will receive its Toronto premiere on the concert.  Based on Herman Hesse’s novel Siddhartha, this other-worldly work of awe-inspiring monumentality “inhabits a twilight realm between reality and the imagination” and encompasses every musical aspect of the mystical and spiritual explorations that consumed the now world-renowned Vivier’s life.

November 19, 2017 marks the second concert of Esprit’s 2017/18 season, titled after Icelandic composer Daniel Bjarnason’s piece, Emergence. This work sweeps listeners up in a kind of dayream that reflects Bjarnason’s wide-ranging experience working in pop and classical new music. Violinist Véronique Mathieu returns to the Esprit stage after her spellbinding performance at the end of last season to perform as guest soloist in the Canadian premiere of Marc-André Dalbavie’s Concerto for Violin and Orchestra. Just a stranger here myself…, a work by Doug Schmidt previously commissioned and premiered by Esprit, will have its second performance. The piece explores Schmidt’s unique take on what it means to be ‘home’. Finally, Ana Sokolovic’s Ringelspiel is an evocative depiction of childhood, inspired by the merry-go-round.

Plug In, on February 11, 2017, will allow the audience to experience the technological progression of the telephone through music. Hear My Voice by Toronto-based composer, Eugene Astapov, was commissioned and premiered by Esprit in spring 2017, as part of Creative Sparks, Esprit’s annual mentoring/education program. The piece incorporates the very first recordings of Alexander Graham Bell’s voice on the first telephone, out of Brantford, Ontario in 1876. From the historic origin of the telephone to the modern day smart phone, Chinese composer Tan Dun’s Passacaglia: Secret of Wind and Birds will include audience participation in creating sound via an app on their phones. The February program also features the Canadian Premiere of Korean composer, Unsuk Chin’s Mannequin, and the World Premiere of a commissioned work titled Lilt by Canadian composer, Matthew Ricketts.

The season ends on April 15, 2017 with Taiko Plus!, a program that includes Maki Ishii’s spectacular, electrifying Mono-Prism, combining Toronto’s Japanese taiko drumming ensemble, Nagata Shachu with Esprit. In keeping with the Asian threads running through our season and maintaining strong musical relations with China, Esprit will give the Canadian premiere of Chinese composer Fuhong Shi’s Concentric Circles. World Premieres of two new works by Canadian composers are also on this program. Esprit will premiere a new work for soprano Shannon Mercer and orchestra by Chris Paul Harman. Scott Wilson’s new work, Dark Matter, will transform scientific data from the CERN Large Hadron Collider into orchestral and electronic sound as well as video graphics.

In addition to the subscription concert series, Esprit will be expanding education and outreach programming in major ways for the 2017/18 season. The cornerstone project this season will be Ontario Resonance, a free student mentorship program to mark the 150th Anniversary of Ontario. Running from September to November, the program focuses on the creation of new music by students with the theme of Ontario places, sounds, and cultural ties. Professional composers will mentor students in seven schools in the GTA region, providing them with hands-on performance and composition opportunities. The program incorporates multiple artistic disciplines, and includes students from diverse backgrounds. Each participating school will host a concert in November, during which the students’ compositions will be performed by a combination of student musicians and members of Esprit Orchestra.

Ontario Resonance Mentor Composers have been commissioned by Esprit to compose short pieces under the same Ontario theme as their students. These pieces will all be premiered at the Ontario Resonance finale concert on November 23, 2017 at Trinity St. Paul’s Church. This concert will be free of charge and open to the general public.

 

35th ANNIVERSARY
ESPRIT ORCHESTRA 2017/18 CONCERT SEASON

All Pre-Concert Chats Moderated by composer Alexina Louie.

Sunday October 15, 2017
Esprit Orchestra Presents: Eternal Light

Alex Pauk – conductor

Christopher Goddard (Canada), Spacious Euphony (2016)
Colin McPhee (Canada), Tabuh-Tabuhan (1936)
Claude Vivier (Canada), Siddhartha (1976)

Concert Sponsor:

 

Sunday November 19, 2017
Esprit Orchestra Presents: Emergence

Alex Pauk – conductor
Véronique Mathieu – violin

Daníel Bjarnason (Iceland), Emergence (2011)
Marc-André Dalbavie (France), Concerto for Violin and Orchestra (1996)*
Doug Schmidt, Just a stranger here myself... (2014)***
Ana SokolovicRingelspiel (2013)

*Canadian Premiere
**Previously commissioned and premiered by Esprit

Concert Sponsor:
The Max Clarkson Family Foundation

Sunday February, 11, 2018
Esprit Orchestra Presents: Plug In

Alex Pauk – conductor

Eugene Astapov (Canada), Hear My Voice (2017)***
Unsuk Chin (Korea), Mannequin (2015)*
Tan Dun (China), Passacaglia: Secret of Wind and Birds (2015)*
José Evangelista (Canada), Symphonie minute (1994)
Matthew Ricketts (Canada), Lilt (2018)**

* Canadian Premiere
** World Premiere commissioned with generous support from Canada Council for the Arts
*** Previously commissioned and premiered by Esprit

Sunday April 15, 2018
Esprit Orchestra Presents: Taiko Plus!

Alex Pauk – conductor
Shannon Mercer – soprano
Nagata Shachu – Japanese taiko drumming ensemble

Chris Paul Harman (Canada), New Work (2018)**
Maki Ishii (Japan), Mono-Prism (1976)*
Fuhong Shi (China), Concentric Circles (2009)*
Scott Wilson (Canada), Dark Matter (2018)**

*Canadian Premiere
**World Premiere commissioned with generous support from the Koerner Foundation


Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Overdrive

For Immediate Release: March 6th, 2017

Esprit Orchestra 2016/17 Season Finale
Overdrive

Esprit Orchestra’s high-energy 2016/17 Season Finale concert, will take place on April 2, 2017 at Koerner Hall. Founding Music Director and Conductor, Alex Pauk, will lead the orchestra in a program inspired by humanity’s infatuation with machinery and the impressive forces of man-made technologies. Featuring composers from Canada and abroad, Overdrive takes listeners through the whirlwind progression of the industrial revolution, through to the 21st century.

Alexander Mossolov’s The Iron Foundry, subtitled “Music of Machines” explores the surging early stages of the mechanization. As the only surviving fragment of Mossolov’s Soviet-age ballet, The Iron Foundry is a mechanical extension of human emotion, symbolizing a vision of what the future could hold for man-made technologies. Arthur Honegger’s Pacific 231 offers homage to the ground-breaking invention of the steam locomotive; Honegger saw these mammoth machines as living, breathing organisms and strived to compose the musical embodiment of such majestic engines.

Renowned American composer John Adams offers a modern day take on the romance between humans and machinery; his exuberant fanfare, Short Ride in a Fast Machine is the musical equivalent of a thrilling ride in a sports car built for speed. When asked about the piece’s title, Adams replied, “You know when someone asks you to ride in a terrific sports car, and then you wish you hadn’t?”

Famed British composer Thomas Adès’s Violin Concerto – Concentric Paths will be performed by guest-soloist Véronique Mathieu. Adès propels us into the unknown, with an immersive soundscape built around many independent cycles in differing orbits, overlapping, sometimes clashing in circular forms. The skillfully composed concerto will captivate listeners with its playful harmonies and intricate layers. Finally, Canadian composer Chris Paul Harman pushes things into overdrive with Blur

The music on the program spans over eighty-years, during which humanity’s relationship with technology has drastically altered daily life. At every stage, advancements have been thrilling, always progressing further than we could have imagined. Overdrive is sure to end the Esprit season with frenetic energy.

 

Esprit Orchestra
Overdrive
Sunday April 2, 2017 Koerner Hall 

Alex Pauk – conductor
Véronique Mathieu – violin
Pre-concert chat moderated by composer Alexina Louie

Program:  
Thomas Adès (England), Violin Concerto – Concentric Paths* (2005)
Arthur Honegger (Switzerland), Pacific 231* (1926)
Alexander Mossolov (Russia), The Iron Foundry (1923)
John Adams (U.S.A.), Short Ride in a Fast Machine (1986)
Chris Paul Harman (Canada), Blur (1997)

*Canadian Premiere

Overdrive
Sunday April 2, 2017
Koerner Hall 

8:00PM Concert | 7:15PM Pre-Concert Chat 

Royal Conservatory of Music TELUS Centre for Performance and Learning 
273 Bloor Street West, Toronto 

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy and Frances Price, Judy and Wilmot Matthews Foundation, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

2016-17 Season Launch

For Immediate Release: September 8, 2016 – Toronto, ON

ESPRIT ORCHESTRA 2016/17 CONCERT SEASON FEATURES SCHAFER TRIBUTE AND HIGHLIGHTS MUSIC FROM ABROAD

Esprit Orchestra proudly celebrates Canadian contemporary music in an international context throughout its upcoming 2016/17 Subscription Concert Series. The series includes a tribute to one of Canada’s most esteemed composers R. Murray Schafer, a salute to our French connections, exciting World Premieres from vital young composers, and a high energy final concert that will send our audience into overdrive. The season features spellbinding performances by some of Canada’s most outstanding, internationally acclaimed soloists including mezzo-soprano Krisztina Szabó, champion of new music and flutist Robert Aitken, percussionist Ryan Scott, cellist Joseph Johnson, and violinist Véronique Mathieu. All concerts take place at 8:00 pm at Koerner Hall, and are preceded by engaging pre-concert talks with the composers and musicians. Concert dates are: October 23, November 20, February 12, April 2.

Esprit Orchestra’s Opening Concert of the 2016/17 Season, titled Power On, takes place on October 23, 2016. The program, conducted by Esprit’s Founding Music Director and Conductor Alex Pauk, features a tribute to renowned Canadian composer R. Murray Schafer with performances of three of his most important works for the concert stage. The program highlights the long musical friendship and working relationship Esprit has had with Schafer and reflects the respect and admiration Esprit has for the composer’s work along with Schafer’s complete trust in Esprit to give his music its best performances. This concert represents a noteworthy opportunity to honour and experience the work of a Canadian musical icon.

To round out the program, American rising-star composer Andrew Norman’s full blast percussion concerto Switch is a devious, playful game of control. Navigating a complex system of differing channels, the soloist, as protagonist, must navigate adeptly through an inimitable sonic universe inspired by the mysterious realms of video games.

On November 20, 2016 the Esprit Orchestra will perform its second concert of the 2016/17 Season. The programming of this concert was inspired by the sensual resonance of Philippe Leroux’s concerto grosso for orchestra, titled m’M. In the French language, ‘M’ represents the phonetic sense of ‘love’. Leroux extends that idea; ‘m’ represents a small group of instrumentalists within the orchestra, and ‘M’ represents the remaining larger combination of players surrounding the small group.

Esprit’s performance of legendary American composer George Crumb’s A Haunted Landscape, for large orchestra, presents a rare listening opportunity for Esprit’s audience. The piece creates almost ritualistic sonic impressions expressing that certain places on Earth “are imbued with an aura of mystery”. Zosha Di Castri’s Alba reflects on the idea of dawn in the winter on the prairies of Northern Alberta. Alba calls up “the majestic beauty in this quilted silence and stunning flatness”. Marc-André Dalbavie’s Concerto for Cello and Orchestra is comprised of a set of fantasies demanding a wide range of virtuosic playing from guest soloist Joseph Johnson, principal cellist with the Toronto Symphony Orchestra.

Adventure and discovery come with premiering new works; Esprit takes pride in embarking on that adventure this season with new pieces by talented Canadian composers Analia Llugdar, Adam Scime, and John Rea. Accelerando, Esprit’s third concert of the 2016/17 season is set for February 12, 2017. Providing the title piece is Montreal based composer, José Evangelista; his piece Accelerando, being premiered by the Montreal Symphony Orchestra in November 2016, is also new. Llugdar, who studied under Evangelista, composes as though she is inside sound, aiming at expression through complex textures, many contrasts and extremes in the same piece. Also based in Montreal, composer John Rea had Esprit audiences drifting on the gentle breeze of his Zefiro torna last season, and returns for a World Premiere of his new work, commissioned by Esprit in collaboration with the Toronto Symphony Orchestra.

Conlon Nancarrow, famous for complex player piano pieces not playable by humans, is represented by an orchestral gem that can be performed by Esprit’s excellent musicians. Esprit’s new commission by promising Canadian composer, Adam Scime draws inspiration from vast networks of subterranean passages shaped over uncountable lifetimes as the Earth convulses and transforms into varying formations of land; the piece is a new panel of a triptyque for Esprit.

Esprit’s high energy finale to the 2016/17 Season, Overdrive, will take place on April 2, 2017. This program came together out of a common link between the impressive forces of man-made technologies and the parallel passions of the human condition. Featuring pieces by composers from Canada and around the world, Overdrive takes listeners through a whirlwind progression of mechanization, through to the 21st century. Machines have come to play an integral role in our lives, and Alexander Mosolov’s The Iron Foundry explores the surging early stages of that relationship. Swiss composer, Arthur Honegger takes his love of industrial technology a step further, writing, “Pacific 231 is not an imitation of the noise of the locomotive, but the translation into music of the visual impressions and physical sensation of it”. The Iron Foundry and Pacific 231 are imaginative musical depictions of forces at the height of the industrial revolution that suggest both organic and mechanical extensions of human feelings.

Audiences last season were hypnotized by Thomas Adès’s Polaris, a piece during which the listener is encompassed by sound. Adès’s skillfully composed concerto will again immerse listeners in mercurial layers of sound. The sonic materials of the concerto are sheets of sound in differing orbits, overlapping, sometimes clashing circular forms, and playful, easeful cycles in harmony at different rates. John Adams’ Short Ride in a Fast Machine elevates the level of excitement—however, he leaves the audience to ponder on his question, “you know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn’t?” Finally, Canadian composer Chris Paul Harman pushes things into overdrive with Blur.

 

ESPRIT ORCHESTRA 2016/17 CONCERT SEASON

All Pre-Concert Chats Moderated by composer Alexina Louie.

Esprit Orchestra Presents: Power On | Sunday October 23, 2016

Programme:
R. Murray Schafer (Canada)
Scorpius (1990)*
Concerto for Flute and Orchestra (1984)
Adieu Robert Schumann (1976)

Andrew Norman (U.S.A.)
Switch for percussion and orchestra (2015) **

*Previously commissioned and premiered by Esprit
**Canadian Premiere

Concert Sponsor:

 

Esprit Orchestra’s performance of R. Murray Schafer’s music is generously supported by: The Koerner Foundation

Esprit Orchestra Presents: m’M | Sunday November 20, 2016

Alex Pauk – conductor
Joseph Johnson – cello

Programme:
George Crumb (U.S.A.), A Haunted Landscape (1984)*
Marc-André Dalbavie (France), Concerto for Cello and Orchestra (2013)*
Zosha Di Castri (Canada), Alba (2011)
Philippe Leroux (Canada/France)m’M (2003)

*Canadian Premiere

Esprit Orchestra Presents: Accelerando | Sunday February, 12, 2017

Alex Pauk – conductor

José Evangelista (Canada), Accelerando (2016)
Analia Llugdar (Canada), New Work (2017) **
Conlon Nancarrow (Mexico/ U.S.A.), Piece No. 2 for Small Orchestra (1985)*
John Rea (Canada), New Work (2017) ***
Adam Scime (Canada)New Work (2017) ***

* Canadian Premiere
** World Premiere commissioned by Esprit with generous support from the Koerner Foundation
*** World Premiere commissioned in collaboration with the Toronto Symphony Orchestra

Concert Sponsor: The Max Clarkson Family Foundation

Esprit Orchestra Presents: Overdrive | Sunday April 2, 2017

Alex Pauk – conductor
Véronique Mathieu – violin

Thomas Adès (England), Violin Concerto – Concentric Paths (2005)*
Arthur Honegger (Switzerland), Pacific 231 (1926)*
Alexander Mosolov (Russia), The Iron Foundry (1923)
John Adams (U.S.A.), Short Ride in a Fast Machine (1986)
Chris Paul Harman (Canada), Blur (1997)

*Canadian Premiere

 

Royal Conservatory of Music
TELUS Centre for Performance and Learning

273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

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m’M

For Immediate Release – August 17, 2016

m’M Presented by Esprit Orchestra

On November 20, 2016 at Koerner Hall, the Esprit Orchestra will perform its second concert of the 2016/17 Season, lead by Founding Music Director and Conductor, Alex Pauk. The programming of this concert was inspired by the sensual resonance of Philippe Leroux’s work for orchestra, titled m’M.

Legendary American composer George Crumb, known for the exquisite colours of his chamber music, is less well-known for his orchestral music. Thus, Esprit’s performance of his A Haunted Landscape, for large orchestra, presents a rare listening opportunity for Esprit’s audience. The piece creates almost ritualistic sonic impressions expressing that certain places on Earth “are imbued with an aura of mystery” and of ancient histories that still penetrate contemporary consciousness.

In the French language, ‘M’ represents the phonetic sense of ‘love’. In Philippe Leroux’s m’M, a concerto grosso, the composer extends that idea; ‘m’ represents a small group of instrumentalists within the orchestra, and ‘M’ represents the remaining larger combination of players surrounding the small group.

Zosha Di Castri’s Alba reflects on the idea of dawn in the winter on the prairies of Northern Alberta. The composer states “Often poetry and images depicting the break of day evoke a spring atmosphere ... dew on the grass, bird calls, a fresh sense of possibility. But what about dawn in the dead of winter?” Alba calls up “the majestic beauty in this quilted silence and stunning flatness”.

Marc-André Dalbavie’s Concerto for Cello and Orchestra is comprised of a set of fantasies demanding a wide range of virtuosic playing from guest soloist Joseph Johnson, principal cellist with the Toronto Symphony Orchestra. The piece, with its lifting of modernist taboos, confirms the composer’s musical genius through its innovative integration of consonance, rhythmic beat and melodic fluidity.

 

Esprit Orchestra
m’M
Sunday November 20, 2016
Koerner Hall

Alex Pauk – conductor
Joseph Johnson – cello

Pre-concert chat moderated by composer Alexina Louie

Programme:
George Crumb (U.S.A.), A Haunted Landscape (1984)*
Marc-André Dalbavie (France), Concerto for Cello and Orchestra (2013)*
Zosha Di Castri (Canada), Alba (2011)
Philippe Leroux (France/Canada), m’M (2003)

*Canadian Premiere

 

m’M
Sunday November 20, 2016
Koerner Hall
8:00PM Concert | 7:15PM Pre-Concert Chat

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Power On

For Immediate Release: August 18, 2016

ESPRIT ORCHESTRA – POWER ON

A Tribute to R. Murray Schafer

Esprit Orchestra’s Opening Concert of the 2016/17 Season, titled Power On, takes place on October 23, 2016 at Koerner Hall. The program, conducted by Esprit’s Founding Music Director and Conductor Alex Pauk, features a tribute to renowned Canadian composer R. Murray Schafer with performances of three of his most important works for the concert stage – Scorpius, an orchestral work originally commissioned by Esprit, Adieu Robert Schumann for voice and orchestra plus Schafer’s Flute Concerto. The program highlights the long musical friendship and working relationship Esprit has had with Schafer and reflects the respect and admiration Esprit has for the composer’s work along with Schafer’s complete trust in Esprit to give his music its best performances.

The concert includes guest performances by some of Canada’s most outstanding, internationally acclaimed soloists including mezzo soprano Krisztina Szabo, champion of new music and flutist Robert Aitken and percussionist Ryan Scott.

Esprit last programmed Adieu Robert Schumann in 1990 with the legendary Maureen Forrester (for whom the piece was written) as vocalist. On October 23rd this highly dramatic, passionate account of Clara Schumann’s thoughts lives on through Szabo who herself is now established as a pre-eminent singer. The Flute Concerto, one of the most important composed anywhere during the past century, will have its virtuosic, multi-coloured solo lines played by the flutist for whom they were composed. This marks Esprit’s fifth performance of the work. The bold and daring Scorpius is an Esprit touchstone that provides the musical sparks and excitement to open Esprit’s concert and 34th season.

American composer Andrew Norman’s full blast percussion concerto Switch also appears on the program with Esprit’s principal percussionist Ryan Scott as soloist. The performance will more than satisfy the desire of so many Esprit audience members, enthralled with hearing Norman’s Play during our last season, to experience yet another mind-blowing piece from this young, rising-star creator.

 

Esprit Orchestra
POWER ON
Sunday October 23, 2016

Alex Pauk – conductor
Ryan Scott – percussion / Robert Aitken – flute / Krisztina Szabo – mezzo soprano

Pre-concert chat moderated by composer Alexina Louie

Programme:
R. Murray Schafer (Canada), Concerto for Flute and Orchestra (1984)
R. Murray Schafer (Canada), Scorpius (1990)*
R. Murray Schafer (Canada), Adieu Robert Schumann (1976)
Andrew Norman (U.S.A.), Switch for percussion and orchestra (2015)**

*Previously commissioned and premiered by Esprit
**Canadian Premiere

Concert Sponsor: 

 

Esprit Orchestra's performance of R. Murray Schafer's music is generously supported by: The Koerner Foundation

 

Power On
Sunday October 23, 2016
Koerner Hall
8:00PM Concert | 7:15PM Pre-Concert Chat

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy & Frances Price, Judy & Wilmot Matthews, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

La création du monde

For Immediate Release: March 1, 2016 – Toronto, ON

Big Choral and Orchestral Sound with Myths, Legends & Devotions

On Thursday March 31st at Koerner Hall, Esprit Orchestra will present a concert titled La création du monde with The Elmer Iseler Singers as guest artists. The program features two World Premieres by Canadian composers: Douglas Schmidt's Sirens for orchestra, and Alex Pauk's Devotions for choir and orchestra.

Also on the program will be two movements from Nur: Reflections on Light for choir alone by Ismaili-Canadian composer Hussein Janmohamed as well as La création du monde, Darius Milhaud's jazz-inflected orchestral dance score from 1923.

Alex Pauk, Esprit’s Music Director, will conduct the Milhaud and Schmidt as well as his own work. Lydia Adams will conduct the Janmohamed.

The concert theme is inspired by the African creation myth and exoticism conveyed in Milhaud’s work. At the time of its premiere, La création du mondewas the world’s first important work blending American jazz harmonies and rhythms with classical Western music. This vivid piece created a sensation in the Paris of the early 1920s when African and Afro-American fashion and art was sweeping the city.

Pauk’s Devotions, a large-scale work in five movements, is spiritual and uplifting in nature without being strictly religious. The piece draws on a wide variety of sources for its texts including:Taoist writings on the life force of the universe; Inuit poetry; ancient Chinese poetry; a fragment from Goethe’s Faust; a Balinese prayer for departing souls; Biblical passages; and the composer’s own words. Calling for the full virtuosic capabilities of The Elmer Iseler Singers, the work also features the five players of Esprit’s percussion section and incorporates harp cadenzas to be performed by Esprit’s principal harpist, Erica Goodman.

Janmohamed’s Nur: Reflections on Light was commissioned for and premiered by The Elmer Iseler Singers at the opening of the Ismaili Centre Toronto and the Aga Khan Museum. The composition interweaves melodies from Ismaili Muslim devotional literature, quaranic recitation and classical Indian ragas into textures inspired by early and contemporary choral music.

Sirens, the mythological birds with female human heads, were known for their hypnotic songs that lured sailors to their deaths on the ocean. These creatures inspired Schmidt’s Sirens, a tone poem with three sections representing their songs, the futile struggle of the main character (represented by a harmonium organ) succumbing to the songs, and lastly, a fragmented counterpoint, revealing distorted and convoluted memories of the victim’s past life. The piece is suggestive of how technology and media attract and manipulate us and blur things so that we can only try and remember who we really were.

 

Esprit Orchestra
La création du monde
Thursday March 31, 2016

Alex Pauk – conductor / The Elmer Iseler Singers / Lydia Adams – conductor

Pre-concert chat moderated by composer Alexina Louie with composers Douglas Schmidt, Hussein Janmohamed, Alex Pauk, and conductor Lydia Adams

Program:
Darius Milhaud (France/U.S.A.), La création du monde (1923)

Hussein Janmohamed (Canada), Nur: Reflections on Light (2014) for choir 
2. Light: Unveiled 
4. Light: Suspended

Douglas Schmidt (Canada), Sirens* (2016)

Alex Pauk (Canada)
Devotions** (2016) for choir and orchestra 
1. Wondrous Tao 
2. Be Brave! 
3. Lifting Hands 
4. Mask 
5. Luminous Spheres Ascending

Concert Sponsors: Timothy & Frances Price
*World Premiere – commissioned by Esprit with generous support from The Koerner Foundation
**World Premiere – commissioned by The Koerner Foundation through The Elmer Iseler Singers

 

La création du monde
Thursday March 31, 2016
Koerner Hall
8:00PM Concert | 7:15PM Pre-Concert Chat

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult, Senior, Under 30: $20; Student $18
Please call (416) 408-0208 or visit performance.rcmusic.ca
For more details: espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, Business for the Arts, SOCAN Foundation, The RBC Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, The Max Clarkson Family Foundation, and Timothy & Frances Price for the their generous support.

 

Media Contact:

Steven Hobé / HOBÉ+HOSOKAWA INC.
steven@hh-inc.ca
(647) 317-5924

Read More

Bow to String, Air to Breath

For Immediate Release: January 12, 2016 – Toronto, ON

Esprit Orchestra Kicks Off 2016 with Bow to String, Air to Breath at Koerner Hall on January 24th

Conducted by Music Director Alex Pauk, the program features two superb guest artists: rising-star cellist Bryan Cheng (making his second appearance with Esprit) and Esprit’s principal trumpeter Robert Venables.

In a reprise of works that brought the house down for Esprit on its 2015 tour in China, the program includes R. Murray Schafer’s The Falcon’s Trumpet (with Venables as soloist) and Alexina Louie’s Imaginary Opera. The concert also features Bow to String for solo cello and chamber orchestra by Iceland’s Daníel Bjarnason and the World Premiere of Movements and Measures by Canadian Samuel Andreyev.

The Falcon’s Trumpet depicts soaring arcs of flight traced by hawks against the action of wind and clouds in magical light. The audience is surrounded by sound as the musicians are distributed in groups around the hall to recall the acoustic of Schafer’s outdoor music.

As an imagined ghost opera, Louie’s Imaginary Opera integrates the composer’s Eastern and Western approaches to music through both intense and quiet, mysterious dramatic musical events reflecting contrast and balance as in the principles of Yin and Yang.

The concert opens with the World Premiere of an Esprit-commissioned piece titled Movements and Measures by Canadian composer Samuel Andreyev, winner of the prestigious 2012 Dutilleux Prize. Along with its multi-coloured layers of orchestral sound, the piece has a strong rhythmic character organized to make the music hypnotic and unpredictable. The piece is the second part of a projected orchestral triptych with the first part having been commissioned and premiered by Esprit in 2015.

Bjarnason’s Bow to String, with Bryan Cheng as soloist, delivers a powerful emotional impact and has had tremendous success world-wide since being premiered in 2012 by the LA Phil New Music Group conducted by John Adams. Bjarnason is one of the world’s most versatile composers with a career that includes work with prominent pop artists such as Björk and Sigur Rós.

 

Esprit Orchestra
Bow to String, Air to Breath
Sunday January 24, 2016

Alex Pauk – conductor / Bryan Cheng – cello / Robert Venables - trumpet

Pre-concert chat moderated by composer Alexina Louie

Program:
Samuel Andreyev (Canada), Movements and Measures* (2015)

Daníel Bjarnason (Iceland), Bow to String (2010), solo cello and chamber orchestra version (2012) 
I. Sorrow conquers Happiness 
II. Blood to Bones 
III. Air to Breath

Alexina Louie (Canada), Imaginary Opera (2004) 
I. Prologue 
II. The River 
III. Frozen Rain 
IV. Pursuing the Dragon

R. Murray Schafer (Canada), The Falcon’s Trumpet (1995), for trumpet and orchestra

Concert Sponsor: The Max Clarkson Family Foundation
*World Premiere generously supported with funding from The Koerner Foundation

 

Bow to String Air to Breath
Sunday January 24, 2016
Koerner Hall
8:00PM Concert | 7:15PM Pre-Concert Chat

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $40; Under 30 $25; Student $18
Please call (416) 408 0208 or visit performance.rcmusic.ca
For more details: espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, Business for the Arts, SOCAN Foundation, The RBC Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Steven Hobé / HOBÉ+HOSOKAWA INC.
steven@hh-inc.ca
(647) 317-5924

Read More

Accelerando

For Immediate Release: January 12, 2016

New Year, New Music
accelerando

A Concert Presented by:
Esprit Orchestra 
Alex Pauk conductor 

To ring in the New Year, Esprit Orchestra will perform several new works, including three world premieres in concert at Koerner Hall on February 12, 2017. This third concert of Esprit’s 2016/17 season will feature commissioned works by Canadian composers Analia Llugdar, Adam Scime, and John Rea.

Accelerando, the concert’s title piece by Montreal composer José Evangelista, was commissioned and premiered by the Montreal Symphony Orchestra in November 2016 to celebrate the 50th anniversary of the Montreal subway system. The work transports listeners in musical movement parallel to that of a Metro train moving from station to station.

Among the concert’s highlights will be the premiere of Survivance by Jules Léger Prize winning composer, John Rea. This fanfare, commissioned in celebration of Canada’s 150th Anniversary, reflects the enduring stories of strength and cultural pride that make up Canadian heritage in both indigenous and Francophone communities as part of an ever-changing Canada.

Esprit Orchestra will also premiere a commissioned work, titled El canto del viento (the singing of the wind), by Analia Llugdar, who composes as though she is inside sound – a realm of unique contrasts and intricate textures.

Surfacing, another commissioned work by Adam Scime, is the second panel of a triptyque the composer is writing for Esprit; its premiere on the program is a highly anticipated event.

American composer Conlon Nancarrow, famous for highly complex, almost labyrinthine studies for player piano, is represented by Piece #2 for Small Orchestra, one of only three orchestral works by Nancarrow.

 

Esprit Orchestra – Accelerando
Sunday February 12, 2017
Koerner Hall 

Alex Pauk – conductor

Pre-concert chat moderated by composer Alexina Louie 

Programme: 
José Evangelista (Canada), Accelerando (2016)
Analia Llugdar (Canada), El canto del viento (2017)**
Conlon Nancarrow (U.S.A/Mexico), Piece #2 for Small Orchestra (1985)*
John Rea (Canada), Survivance (2017)***
Adam Scime (Canada), Surfacing (2017)**

*Canadian Premiere
**World Premiere commissioned with generous support from the The Koerner Foundation
***World Premiere commissioned as part of the Toronto Symphony Canada 150 Signature Project

Accelerando, Sunday February 12, 2017, Koerner Hall 
8:00pm Concert | 7:15pm Pre-Concert Chat 

Royal Conservatory of Music TELUS Centre for Performance and Learning 
273 Bloor Street West, Toronto 

Individual concert tickets start at: Adult $40; Senior 65+ $40; Under 30 $22; Student $20
Please call (416) 408 0208 or visit espritorchestra.com

Season Sponsor:

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, SOCAN Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, Timothy and Frances Price, The Judy and Wilmot Matthews Foundation, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Amber Melhado / Marketing & Outreach Coordinator
amber@espritorchestra.com
(416) 815-7887

Read More

Play

For Immediate Release: October 28, 2015 – Toronto, ON

PLAY – AN ESPRIT ORCHESTRA TOUR DE FORCE

Large Works for Large Orchestra Featuring Canadian Premieres

In a program of vitality and variety, Esprit assembles its largest-ever combination of musicians to perform two Canadian Premieres of large scale works by acclaimed composers Thomas Adès and Andrew Norman, along with a reprise of music commissioned from John Rea.The concert begins with a one-movement symphony by Thomas Adès titled Tevot, which means, in Hebrew, bars of music. Also, in the Bible, it is the ark of Noah, and the cradle in which the baby Moses is carried on the river. Adès states of this piece, originally composed for the Berlin Philharmonic and Simon Rattle, “I liked the idea that the bars of music were carrying the notes as a sort of family through the piece.” He also thinks of the ark, the vessel, in the piece as the earth.

“The earth would be a spaceship, a ship that carries us – and several other species! – through the chaos of space in safety. It sounds a bit colossal, but it’s the idea of the ship of the world.”

The concert proceeds with a performance of music by John Rea who this season is honoured as the focus of the Homage Series of the Société de musique contemporaine du Québec. Rea was the first composer commissioned by Esprit for its inaugural concert thirty three years ago. Since that time Esprit has maintained a strong artistic connection with him, inviting to give keynote addresses at the orchestra’s festivals, performing almost the entirety of his orchestral music and commissioning new pieces along the way.Zefiro torna, commissioned by Esprit, was composed making reference to the sonnet of the same name by Francesco Petrarca and set almost three hundred years later as a five-voice madrigal by Claudio Monteverdi. Rea comments:

“Monteverdi’s music for me becomes a kind of cantus firmus which, during the course of its journey through my composition, engages in a dialogue with other musics, with other ancient winds of a more ominous nature, finally to emerge just at that moment when the gentle and agreeable wind Zephyr returns ... again.”

Introducing Toronto to one of the hottest young composers on the planet, Esprit concludes the concert with Play, a kaleidoscopic 45-minute, three movement symphony by Los Angeles-based Andrew Norman. The work has arguably described as possibly “the best orchestral work that the twenty-first century has seen thus far”.The piece encompasses various connotations of play – ranging from light-hearted, child-like exuberance to sinister modes as musical ideas ricochet off one another through the three “levels” that form the movements of the piece. String glissandi and brass outbursts play like the uninhibited predilections of toddlers. Perhaps the most compelling element of this work is its unrelenting build of expectation. With soaring brass and woodwind lines hovering over exuberant string surges as the piece unwinds, the work is a tour de force bursting with energy.

 

Esprit Orchestra
PLAY
Sunday November 15, 2015

Alex Pauk – conductor

Pre-concert chat moderated by composer Alexina Louie

Programme:
Andrew Norman (U.S.A.), Play* (2014)
Thomas Adès (England), Tevot** (2007)
John Rea (Canada), Zefiro torna (Zephyr Returns) (1994)

*Canadian Premiere
**Canadian Premiere generously supported with funding from The Koerner Foundation

 

Play
Sunday November 15, 2015
Koerner Hall
8:00PM Concert | 7:15PM Pre-Concert Chat

Royal Conservatory of Music TELUS Centre for Performance and Learning
273 Bloor Street West, Toronto

Individual concert tickets start at: Adult $45; Senior 65+ $40; Under 30 $25; Student $18
Please call (416) 408 0208 or visit performance.rcmusic.ca
For more details: espritorchestra.com

 

Esprit Orchestra is Canada’s only full-sized orchestra devoted exclusively to performing and promoting new orchestral music. Esprit Orchestra gratefully acknowledges Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Ontario Arts Foundation, Business for the Arts, SOCAN Foundation, The RBC Foundation, The Koerner Foundation, The Hal Jackman Foundation, The Mary-Margaret Webb Foundation, and The Max Clarkson Family Foundation for the their generous support.

 

Media Contact:

Steven Hobé / HOBÉ+HOSOKAWA INC.
steven@hh-inc.ca
(647) 317-5924

Read More